Primary data on "Looking at Life Through Rose-Colored Glasses: Dispositional Positive Affect is Related to the Intensity of Aesthetic Experiences"
Cognitive PsychologyAuthors(s) / Creator(s)
Weigand, RosaliePrüßing-Peters, Jan
Jacobsen, Thomas
Abstract
Research implies that individuals with a tendency towards more positive affect prefer to pay attention to positive stimuli. Anecdotal evidence even suggests that individuals perceive more beauty when positive affect is prevalent. In the study underlying this data set, the role of dispositional affect in predicting the frequency and intensity of aesthetic experiences was investigated. A 14-day experience sampling survey (N = 97) was used to collect data on aesthetic emotions. The ESM data were correlated with dispositional affect questionnaires. The results showed a positive relationship between dispositional positive affect and the intensity of aesthetic experiences. However, dispositional affect and the frequency of aesthetic experiences were not related. Similarly, the relationship does not appear to be moderated by current mood. These results illustrate that dispositional affect predicts not so much how much beauty we see, but rather how much we enjoy it.
Persistent Identifier
https://doi.org/10.5160/psychdata.wdre21pr16Year of Publication
2021Funding
How to cite
Study Description
Research Questions/Hypotheses:
H1: Dispositional positive affect increases the frequency of aesthetic experiences.
H2: Dispositional negative affect decreases the frequency of aesthetic experiences.
H3: Dispositional positive affect increases the intensity of aesthetic experiences
H4: Dispositional negative affect decreases the intensity of aesthetic experiences
Research Design:
Fully standardised survey instrument; Experience sampling method/diary study; repeated measurements
Measurement Instruments/Apparatus:
First, participants completed the dispositional affect questionnaires online. Dispositional affect was assessed with the Positive and Negative Affect Schedule (PANAS; Watson et al., 1988) and the Dispositional Positive Emotions Scales (DPES; Shiota et al., 2006). The PANAS consists of ten attributes of positive affect and ten attributes of negative affect. Items were reported on a five-point scale ranging from 1 (not at all) to 5 (extremely). The DPES measures the general disposition to experience seven different positive emotions. It consists of 38 items and uses a seven-point rating format (1 = strongly disagree to 7 = strongly agree). The order in which the two questionnaires were presented was randomised.
During the following 14 days, participants were randomly prompted by the mobile app (PIEL Survey) to complete a questionnaire four times a day during individually chosen 60-minute time blocks and then had up to 15 min to respond to the questionnaire. At each measurement time point, they answered questions about their most recent aesthetic experience since the previous measurement time point. They answered the question “Have you had an aesthetic experience since the last measurement time point?” on a binary scale. To capture the intensity of the aesthetic experience, ten items from the Aesthetic Emotions Scale (AESTHEMOS; Schindler et al., 2017) were presented. The items were answered on a five-point Likert scale ranging from 1 (not at all) to 5 (very much). A short scale was used to measure mood (Wilhelm & Schoebi, 2007). At each survey time point, participants answered the statement “At this moment I feel:” using six bipolar items on a seven-point scale ranging from 0 (e.g. very tired) to 6 (e.g. very awake).
Data Collection Method:
Data collection in the absence of an experimenter
- Postal Survey
- Online Survey
Other method, namely:
- Experience sampling method
Population:
97 participants (87 students and 10 members of other professions)
Survey Time Period:
Sample:
Convenience sample
Gender Distribution:
41% female participants
59% male participants
Age Distribution: 15-55 years
Spatial Coverage (Country/Region/City): Germany
Subject Recruitment:
The students were made aware of the study via an e-mail distribution list. As compensation, they received subject hours, which they could have credited to their studies.
The other participants were contacted personally by Jan Prüßing-Peters, the person responsible for data collection. In order to increase the data response, Mr Prüßing-Peters was in regular telephone contact with the participants.
Sample Size:
97 individuals
Return/Drop Out:
Six additional participants (VP 41, 80, 91, 96, 102 and 106) were unable to participate in the ESM study due to technical problems. One additional participant (VP 47) was excluded due to knowledge of the hypotheses. Two additional data sets were destroyed during dispatch (VP 99 and 120). VP numbers 1, 8, 11, 12, 13, and 15-25 were not assigned.
MD5: FF515450725542F7849C80C7F3CB97BE
MD5: 5FE4EBC44A994509060F91CA9A655432
Position | Name | Label | Valid Values | Missing Values |
---|---|---|---|---|
1
|
VP
|
Versuchspersonennummer
|
2-123 "fortlaufende Versuchspersonennummer"
|
999 "fehlender Wert: nicht spezifiziert"
|
2
|
ALTER
|
Alter der Teilnehmenden
|
15-55 "Alter der Teilnehmenden"
|
99 "fehlender Wert: nicht spezifiziert"
|
3
|
GESCHLECHT
|
Geschlecht der Teilnehmenden
|
0 "männlich"
1 "weiblich"
|
9 "fehlender Wert: nicht spezifiziert"
|
4
|
BERUF
|
Beruf der Teilnehmenden
|
Zeichenkette "Beruf der Teilnehmenden"
|
9999 "fehlender Wert: nicht spezifiziert"
|
5
|
DAUER
|
Dauer zum Beantworten der Umfrage
|
106-1341 "Dauer zum Bearbeiten der Umfrage in Minuten"
|
-77 "fehlender Wert: nicht spezifiziert"
|
6
|
ERFAHRUNG
|
Experience Sampling Methode Item 1
|
0 "nein"
1 "ja"
|
9 "fehlender Wert: nicht spezifiziert"
|
7
|
GENRE
|
Experience Sampling Methode Item 2
|
1 "Bildende Kunst"
2 "Darstellende Kunst"
3 "Musik"
4 "Literatur"
5 "Natur"
6 "Mensch"
7 "Lebloses Objekt"
8 "Sonstiges"
|
9 "fehlender Wert: nicht spezifiziert"
|
8
|
A1_SCHOEN
|
Experience Sampling Methode Item 3a
|
1 "überhaupt nicht"
2 ""
3 ""
4 ""
5 "sehr"
|
9 "fehlender Wert: nicht spezifiziert"
|
9
|
A2_GEFIEL
|
Experience Sampling Methode Item 4a
|
1 "überhaupt nicht"
2 ""
3 ""
4 ""
5 "sehr"
|
9 "fehlender Wert: nicht spezifiziert"
|
10
|
A3_BEEINDRUCKT
|
Experience Sampling Methode Item 5a
|
1 "überhaupt nicht"
2 ""
3 ""
4 ""
5 "sehr"
|
9 "fehlender Wert: nicht spezifiziert"
|
Position | Name | Label | Valid Values | Missing Values |
---|---|---|---|---|
1
|
VP
|
Participant number
|
2-123 "consecutive participant number"
|
999 "missing value: unspecified"
|
2
|
AGE
|
Age of participants
|
15-55 "age of participants"
|
99 "missing value: not specified"
|
3
|
SEX
|
Gender of participants
|
0 "male"
1 "female"
|
9 "missing value: unspecified"
|
4
|
OCCUPATION
|
Occupation of participants
|
String "participant's occupation"
|
9999 "missing value: not specified"
|
5
|
DURATION
|
Duration to complete the survey
|
106-1341 "Duration to complete the survey in minutes"
|
-77 "missing value: unspecified"
|
6
|
EXPERIENCE
|
Experience Sampling Method Item 1
|
0 "no"
1 "yes"
|
9 "missing value: not specified"
|
7
|
GENRE
|
Experience Sampling Method Item 2
|
1 "Visual arts"
2 "Performing arts"
3 "Music"
4 "Literature"
5 "Nature"
6 "Human"
7 "Inanimate Object"
8 "Other"
|
9 "missing value: unspecified"
|
8
|
A1_BEAUTIFUL
|
Experience Sampling Method Item 3a
|
1 "not at all"
2 ""
3 ""
4 ""
5 "very"
|
9 "missing value: not specified"
|
9
|
A2_LIKED
|
Experience Sampling Method Item 4a
|
1 "not at all"
2 ""
3 ""
4 ""
5 "very"
|
9 "missing value: not specified"
|
10
|
A3_IMPRESSED
|
Experience Sampling Method Item 5a
|
1 "not at all"
2 ""
3 ""
4 ""
5 "very"
|
9 "missing value: not specified"
|